Art as Activism

After the recent People’s Climate March, it is quite apparent that the environmental movement is multi-faceted. It can be enacted in many ways, art being one of those mechanisms. In the late 1960’s the “Land Art” or “Earth Art” movement emerged, opposing the materialism of the modern age and calling attention to the human relationships with nature. Still today, artists of the movement use organic and natural materials to create their pieces using the land as their canvas. Thus, medium and message are directly linked; the art engages with nature to encourage engagement with nature. Human interaction with nature is important for a variety of reasons; it enhances cognitive function, improves physical and psychological health, and has healing and spiritual effects. Earth Art’s promotion of such a relationship serves a vital purpose.

Land Art is also ephemeral, as natural weathering processes and erosion often destroy outdoor pieces quite quickly. Without regulations of resource exploitation, , overconsumption, and unsustainable practices, our earth too may be ephemeral. This again links Land Art’s medium with its message. Below are some of the most popular pieces from the movement.

 

 

art1

Piece Name: Spiral Jetty

Location: Rozel Point, Great Salt Lake, Utah

Medium: mud, salt crystals, rocks

Artist: Robert Smithson

Date: April, 1970

Size: 1,500-foot-long and approximately 15-foot-wide

Image Source: http://bit.ly/1zR9aCy

Smithson chose the space because it is one that is ever changing. His art changes with the land and sea. This oneness with nature mimics the joint and evolving relationship we can have with nature.

 

 

 

art2

Piece Name: Celtic Horse, part of “Rhythms of Life” series

Location: Slovakia

Medium: Stone

Artist: Andrew Rogers

Date: 2008

Size: 330-by-330-foot

Image Source: Isifa, Getty Images

http://on.natgeo.com/1znaERH

 Rogers emphasizes the reuse of old materials to generate something new, ie. creating his piece out of old stone. Reusing is a key part of the sustainability movement.

 

 

art3

 Piece Name: Crop Circles

Location: Wiltshire County, England

Medium: fields

Artist: Variety

Date: 1970s-2014

Size: Variety

Image Source: http://bit.ly/14j12gY

Looking at the design from ground level allows you to see only a small segment of crop circle. The aerial view of it reveals the greater magnificence of the piece. In terms of sustainability, we make green, personal choices that affect sustainability in our personal lives that end up contributing to a larger picture.

 

 

art4

Piece Name: Celestial Vault

Location: The Netherlands

Medium: sand dunes and light

Artist: James Turrell

Date: 1970s-2014

Size: 98-by-131-foot

Image Source: Siebe Swart, Redux; http://on.natgeo.com/1EAblIo

Focuses on using nature for the piece, as it is carved within a sand dune, and uses light to create its visual effect. It also encourages the viewing of the sky, which if polluted, will no longer be that beautiful entity to view.

 

 

art5

 Piece Name: Striding Arches Series

Location: Dumfries & Galloway in SW Scotland

Medium: red sandstone

Artist: Andy Goldsworthy

Date: 2002

Image Source: http://bit.ly/1v7d88T

 Goldsworthy’s arch is an installation that sits atop a hill located in a remote place. This encourages people to visit the isolated area, feel welcome within the natural space, and experience the beauty of the found within nature.

 

Written by Julie Elliot, Class of 2015

Sources:

http://environment.nationalgeographic.com/environment/photos/land-earth-art-gallery/

http://umfa.utah.edu/spiraljetty

http://www.stridingarches.com/

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